His music balances two entirely distinct modes: slow and precise motifs and truly experimental gambits, especially when they involve brand-new technologies.

Source: https://www.newyorker.com/culture/culture-desk/the-beautiful-unpredictable-life-of-ryuichi-sakamoto

His playful staging brings a snazzy panache to the comic reversals of fortune and mistaken-identity gambits.

Source: https://www.nytimes.com/2023/07/06/arts/music/opera-streaming-amazon-prime-video.html

There are also poems within poems (the song in “Much Ado About Nothing”: “Sigh no more, ladies, sigh no more”) and poems that abandon their opening gambits and try new strategies.

Source: https://www.nytimes.com/2023/02/04/books/review/as-wallace-stevens-once-put-it-hi.html