Acosta views the physical act of cutting of female images from the media as a sort of liberation—a symbolic freeing of women from the confining and antiquated realm of domesticity.

Source: http://glenarborsun.com/glen-arbor-arts-centers-feral-housewife-takes-on-gender-norms/

In stark monochrome, she captures the constantly shifting drama of domesticity in moments of intimacy and abandon, reverie and wild recklessness.

Source: https://www.theguardian.com/artanddesign/2023/feb/26/peggy-nolan-photographer-children-juggling-is-easy-interview

While peeks into a female reporter's homelife were grounding in and served to remind audiences of the immense emotional labor these women took on professionally and personally, similar scenes of domesticity in are achingly conventional.

Source: https://mashable.com/article/boston-strangler-review

Women used to tell Pratt that her scenes of domesticity made them cry, perhaps because she was painting their world—the trussed turkey, the unkempt bed—with the tender and careful eye of high art.

Source: https://macleans.ca/culture/mary-pratt-canadian-painter/