Both are highly expressive in their own way, yet while Franck is romantically opulent, Debussy is concise, almost to the point of terseness.

Source: https://www.smh.com.au/culture/live-reviews/same-but-different-two-90s-legends-make-the-perfect-combination-20231119-p5el3t.html?ref=rss&utm_medium=rss&utm_source=rss_feed

Debussy resisted the idea of concert performances of his opera.

Source: https://www.latimes.com/entertainment-arts/story/2023-03-29/review-debussys-pelleas-et-melisande-returns-to-la-opera

Debussy would have been impressed to hear Deirdre’s version of ‘Clair de Lune’ on the piano.

Source: https://aapress.com/2023/03/everything-everywhere-all-at-once-an-after-oscar-review/

Here are the first four songs: “Zombie” by The Cranberries, “Cage” by Dir En Grey, “Beautiful Boyz” by CocoRosie, and “Clair de Lune” by Claude Debussy.

Source: https://collider.com/dead-ringers-poppy-liu-interview/

The Debussy piece was on his first Aspen recital, but it took a decade to come about after he first appeared here in 1987, a 25-year-old fresh off a victory in the Naumburg International Piano Competition.

Source: https://www.aspentimes.com/news/aspens-pianist-for-all-seasons-anton-nel-to-perform-in-25th-year-on-aspen-music-festival-and-school-faculty/

Thibaudet isn’t opposed to those kinds of performance choices, but he prefers playing them in the order that Debussy originally arranged for them.

Source: https://voiceofoc.org/2023/04/jean-yves-thibaudet-follows-his-own-score/