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And I knew I had to because that’s a huge element in Bernstein’s music.
Source: https://www.thewrap.com/bradley-cooper-hangover-4-todd-phillips-maestro/
Bernstein’s family offers some clarity to this debate in defense of Cooper, who collaborated closely with them for the film.
Source: https://www.msnbc.com/opinion/msnbc-opinion/bradley-cooper-leonard-bernstein-maestro-nose-rcna101003
But he also picked up several important details from the biography of Bernstein’s life that helped inform costume choices.
Source: https://wwd.com/eye/lifestyle/maestro-costumes-mark-bridges-1235959751/
During the Venice press conference, Hiro also elaborated on the process of applying Cooper’s makeup during production, saying it took 2 hours and 50 minutes for Bernstein’s younger days and five hours at his oldest.
Source: https://variety.com/2023/film/global/maestro-kazu-hiro-nose-bradley-cooper-1235711778/
In its weaker moments, the film offers lacklustre recreations of moments in Bernstein’s career that can be found online in old YouTube clips.
Instead, Bernstein’s children – Jamie, Alexander and Nina Maria Felicia – sat front and center to represent the film, and touchingly acted out their father’s conducting style over the music of the end credits, to a standing ovation.
Source: https://www.thewrap.com/venice-film-festival-2023-strike-actors/
It’s worth watching for Sinatra alone, but for Elmer Bernstein’s score and the jagged credit titles of Saul Bass are superb.
Source: https://www.telegraph.co.uk/tv/0/tv-guide-tv-television-tonight/
Or that the world will get the pleasure of seeing the uber-Jewess Sarah Silverman play Bernstein’s sister Shirley.
Source: https://nypost.com/2023/08/19/forget-about-bradley-coopers-fake-nose/
Several moderate Democrats are up for reelection next November and have been unafraid to torpedo Biden pickspolitically advantageous for them back home with voters, although it’s unclear whether that dynamic will occur with Bernstein’s nomination.
The other finalists are Canadian author Sarah Bernstein’s “Study for Obedience,” U.S. writer Jonathan Escoffery’s “If I Survive You” and British author Chetna Maroo’s “Western Lane.”
The peaks of Cooper’s sophomore feature run on the rocket fuel of Bernstein’s particular musical drive.
There’s a definite chemistry – but there’s also Bernstein’s involvement with musician David Oppenheim (Matt Bomer), with whom he shares both an apartment and a bed.